Everything We Do Is Music
Everything We Do is Music : How 20th-Century Classical Music Shaped Pop | By Elizabeth Alker
A panoramic exploration of the ways in which pop and rock were transformed by the pioneering visionaries of classical music. The worlds of pop and rock owe a much greater debt to the classical canon than we realise.
A direct and fascinating lineage draws from the experimentalism of Pierre Henry to The Beatles' 'Tomorrow Never Knows', from Stockhausen to Donna Summer's 'I Feel Love' and from Bruckner to Sonic Youth via Glenn Branca. In Everything We Do is Music, Elizabeth Alker shines a light on the fertile ground that exists between the borders of classical music and pop. She showcases the innovators of the former and their fans and collaborators in the latter, and explores how together these artists challenged the notion that such musical worlds are mutually exclusive.
Everything We Do is Music : How 20th-Century Classical Music Shaped Pop | By Elizabeth Alker
A panoramic exploration of the ways in which pop and rock were transformed by the pioneering visionaries of classical music. The worlds of pop and rock owe a much greater debt to the classical canon than we realise.
A direct and fascinating lineage draws from the experimentalism of Pierre Henry to The Beatles' 'Tomorrow Never Knows', from Stockhausen to Donna Summer's 'I Feel Love' and from Bruckner to Sonic Youth via Glenn Branca. In Everything We Do is Music, Elizabeth Alker shines a light on the fertile ground that exists between the borders of classical music and pop. She showcases the innovators of the former and their fans and collaborators in the latter, and explores how together these artists challenged the notion that such musical worlds are mutually exclusive.
Everything We Do is Music : How 20th-Century Classical Music Shaped Pop | By Elizabeth Alker
A panoramic exploration of the ways in which pop and rock were transformed by the pioneering visionaries of classical music. The worlds of pop and rock owe a much greater debt to the classical canon than we realise.
A direct and fascinating lineage draws from the experimentalism of Pierre Henry to The Beatles' 'Tomorrow Never Knows', from Stockhausen to Donna Summer's 'I Feel Love' and from Bruckner to Sonic Youth via Glenn Branca. In Everything We Do is Music, Elizabeth Alker shines a light on the fertile ground that exists between the borders of classical music and pop. She showcases the innovators of the former and their fans and collaborators in the latter, and explores how together these artists challenged the notion that such musical worlds are mutually exclusive.
